Alamat resmi service BB indonesia

Alamat Lengkap Service Center Resmi Blackberry di Indonesia

Lokasi dan Tempat Service Center Resmi Blackberry di Indonesia

Telkomsel/ Malifax       

Jakarta   : Graha Aktiva Lt. 2, suite 202, Jl. HR. Rasuna Said Blok X-1 Kav.3, Jakarta Selatan

Jakarta   : Senayan City 4th Floor, suite 4-43, Jl. Asia Afrika Lot 19, Jakarta 10270

Bandung : Istana BEC 3rd floor J-02. Bandung

Telkomsel/ Mitra Telekomunikasi Selular             

Jakarta  The Boulevard Office 2nd floor unit B1-B2 Jl.Fachrudin Raya No.5. Jakarta Pusat, Indonesia 10250

XLOperator/Partner      

Jakarta  : Pacific Place Mall, Lt 3 Unit 3#15A, Jl. Jend. Sudirman, Jakarta Selatan

Jakarta  : e-Center Supermall Karawaci LG, B1 No.2-5 LIPPO KARAWACI, Tangerang

Jakarta  : Jalan Sukarjo Wiryopranoto No. 2D, Sawah Besar

Surabaya : Jalan Pemuda No 31-37, XL Experience Plaza, Surabaya New Handphone Center, 2nd Floor EC-R/3, No 21D, 24D, 25D

Axis

Jakarta   : ITC Roxy Mas Lt. 2 No. 19, Jl. KH Hasyim Ashari No. 125

Jakarta   : Mall Ambasador Lt. G Unit 40-41, Jl. Prof Dr. Satrio Kuningan

Bandung : BEC – Bandung Electronic Center LG No. A-05 Jl. Purnawarman 13-15

Surabaya: WTC – Surabaya; WTC Galeria Lt. 2 No. 805 Jl. Pemuda 27-31

INDOSAT

Jakarta  GALERI INDOSAT KPPTI : Jl. Medan Merdeka Barat No.21 odium Depan Lt. Dasar

Indosat Jakarta  GALERI INDOSAT Pondok Indah  Ruko Plaza 5 Pondok Indah BL A-5 Jl Margaguna Pondok Indah

Indosat Jakarta  GALERI INDOSAT Sarinah 24 hours Ruko Gd. Sarinah Lt. Dasar pintu selatan Jl MH Thamrin Jakpus

Indosat Bandung GALERI Indosat Istana Plaza Istana Plaza Lt. LG D3 Bandung Jl. Pasir Kaliki 121-123, Bandung

COMTECHDistributor   

  

Bandung  Oke Shop Bandung Supermall lt GF #A/077-079, Jalan Gatot Subroto No 289 Bandung

Bandung Jl. Abdurahman Saleh No 9 blok 18 City Square Bandung

Jakarta  Global Teleshop  Mall Kelapa Gading 2 Lantai Dasar G130 Jl. Boulevard Raya Blok M Kelapa Gading Jakarta

Jakarta  Oke Shop  Pacific Place lt.3 3-27 Pacific Place Mall, Lt.3 Unit 3 – 27; Jl. Jend. Sudirman Kav.52-53 Jakarta 12190

Jakarta  Oke Shop Mal Taman Anggrek Lt. 3 No. 370 Jl. Letjen S Parman Kav 21 Grogol Jakarta

Jakarta  Oke Shop Pondok Indah Mall 2 Lt 3, Jl Metro Pondok Indah Blok III B Pondok Indah Jakarta

Jakarta  PDA.COM Ambasador Mall _ Lt G unit 40-41, Jl Prof Dr Satrio Kuningan Jakarta

Jakarta  Oke Shop Jl. Sudirman 1 plaza Indonesia Lt4 E25 Jakarta

JogJakarta Trikomsel service center Jl.Urip Sumoharjo no 19 Jogjakarta

Makassar Oke Shop  Mal Panakukang lt dasar Blok C1 no 2, Jl Boulevard Komplek Panakukang Mas Makassar Sulawesi

Semarang Oke Shop Jl.Ahmad Dahlan no 7 Semarang

Surabaya Global Teleshop Jl. Gubeng Raya No.35, Surabaya 60281s

Surabaya Oke Shop Jl. Polisi Istimewa no 30 Surabaya

Selular Shop

Jakarta  Selular Shop Mal Kelapa Gading III Lt. G 35, Jl. Boulevard Raya Blok M, Centra Kelapa Gading, Jakarta Utara

Jakarta  BlackBerry North Skywalk Lt II no. 205B, Pondok Indah Mall II

Jakarta  BlackBerry Mall Taman Anggrek Lt.03 Blok E 01 D, Jl. S.Parman, Jakarta Barat 11470

Jakarta  Selular Shop Jl. Daan Mogot Km1 no 111,Selular Grha Building Jakarta Barat 11460

Jakarta  Selular Shop Lippo Supermall Karawaci, Lt. LG # A1 / 2-11 Tangerang 15811

Jakarta  Selular Shop Met Mall 1 Lt.2 unit no.224-225, Jl. KH.Noer Alie, Bekasi Selatan 17148

Jakarta  Selular Shop Central Park, Lt. Lower Ground, Unit L-149, Jl. S.Parman, Jakarta Barat 11470

Jakarta  Selular Shop Gandaria city Lt. 1 no. 186 Jakarta selatan

Jakarta  Selular Shop ITC Roxy Mas Lt. dasar No. 116

Jakarta  ITC Cempaka Mas Lt 4 Blok D no 220

Bandung Selular Shop Jl. Martadinata No. 132

Bali Selular Shop Jl. Teuku Umar No. 127 B Denpasar

Surabaya Selular Shop Tunjungan Plaza 3 Lt2 No. 2-50-51

Medan Selular Shop J. Iskandar Muda No. 278 A

Yogyakarta Selular Shop Ambarukmo Plaza Lt. LG No A9-11

BalikPapanSelular Shop Jl.Jend.Sudirman,Komp. Ruko Bandar Blok B No.5

Makasar Selular Shop Komplek Ruko Bulusaraung Jl.G.Bulusaraung A No.7,Makasar

Semarang Selular Shop Ruko Siranda, Jl. Diponegoro No.2 Blok C & D, Semarang

Banjarmasin Selular Shop Jl. Ahmad Yani km 3,5 No.127 Banjarmasin (depan RRI)

Palembang Selular Shop  JI POM IX BLOK R 103 – 105 KOMP

TAMDistributor                                              

ITC Cempaka Mas, Lt 4 Block D no. 306-307

Jakarta  XL Xperience Land Pacific Place Mall, 3rd Floor, Unit 3 #15A

Jakarta  Erafone Emporium pluit Lt.2 No.33

Jakarta  TAM ITC Roxy Mas Jl.KH Hasyim Ashari lt 3 No. 77

Jakarta  Erafone Mall Of Indonesia Lt.2 Unit A No.8

Jakarta  Erafone Central Park L1 – 102, Jl. Let. S. Parman Kav 28 Jakarta 11470

Medan TAM Jalan Gatot Subroto Gedung Plaza Medan Fair Lt.4 no.17

Bandung TAM BEMALL lt.GF A 03 Jl.Naripan

Bandung Erafone Istana Plaza Bandung, Ground Floor # C1A

Yogyakarta TAM Jl. Jogonegaran No 9 Yogya 55271

Surabaya TAM Plaza Marina Lt.3 Blok C3 Surabaya 60239

Surabaya Erafone Tunjungan Plaza 3 Lt.2 suite 92 Jl.basuki Rahmat No.8-12

Bali TAM Ruko Agung Raya Kav.19 Jl.Teuku Umar No.200

Pontianak TAM Komplek Pontianak Mall Blok. B No. 33

Balikpapan TAM Ruko Puri Mall Fantasi Blok B No.8

Samarinda TAM Jl. Ahmad Yani No. 40B

Bogor TAM  RUKO WARUNG JAMBU BLOK R1 NO.1

Video for grebeg in ponorogo

Video for grebeg in ponorogo

GREBEG SURO

video by :www.esatjava.com
Is the biggest culture event in Ponorogo regency that held on a certain occasion of welcomed Islam New Year or Saka New Year that often known as one suro date (one of Javanese month). This agenda entered East Java tourism calendar (Calendar of event). Grebeg Suro is the ritual culture incident and became the party site of Ponorogo people. Usually it begun a week before 1 Suro.
It is the series of Grebeg Suro agenda is Reog National festival, various good activity sorts the race and the exhibition and ended with Larungan agenda in Ngebel lake. The parade of the elephant statue that consist of the musical procession and the elephant statues. Those statues have received by human kind and climbed onto by two children. This art is has influenced by Islam culture.



video/grebeg/ponorogo/culture
tag:video,grebeg,suro,ponorogo,maulid,nabi,

the indonesian dance's culture

This dance was performed on April 26, 2006 by Indonesian Students Union in France for "International Night" in Ecole Militery Paris which is followed 93 delegation countries. This dance was awarded as "The Best Performance" at that night. This video is provided to you by JAROE (Jalinan Silaturrahmi Aneuk Nanggroe di Eropa) - Aceh's youth communitiy in Europe. Website: www.jaroe.eu

video/shaman/aceh/dance/culture

video yamko rambe yamko dance'

video yamko rambe yamko dance'

from papua-irian jaya
indonesian
performance by :

video/yamko/rambe/papua/culture

What would the world be like without us

Profile | Expo | Consumer Product Reviews in Video

Profile | Expo | Consumer Product Reviews in Video

kecak dance

kecak dance from bali culture's
Directed by Ron Fricke. A movie with no conventional plot: merely a collection of expertly photographed scenes.

tags:video/kecak/bali/tradition/culture

TANGGAI DANCE'S from SOUT SUMATERA

Location: Downstairs Banquet Hall, Holland College Tourism and Culinary Institute, 4 Sydney Street, Charlottetown, PE, CANADA.


This fundraising night is presented by CANADA WORLD YOUTH & INDONESIAN STATE MINISTRY FOR YOUTH AND SPORTS AFFAIRS

Tags:video/tanggai/dance/southsumatera/culture

VIDEO FOR KUDA KEPANG

video kuda kepang
performance by sri ulan
from indonesia


tags:video/kudakepang/java/tradition/culture

VIDEO FOR JAIPONG

Tags:video/jaipong/dance/soendha/west java/art/culture

VIDEO FOR REOG PONOROGO

video for wayang golek

video/wayang/golek/tradition/culture/java

Video for wayang kulit

video/wayang/kulit/tradition/culture/java

ATTRACTIONS SHEEP’S FIGHTER FROM WEST JAVA.

ATTRACTIONS SHEEP’S  FIGHTER FROM WEST JAVA.

sheep’s fighter is one of thetypical folk art of west java are quite popular, especially in traditionalcircles. Art is an ancestor of the survivingrelics of its existence until today.



Sheep queue waiting game ..
At its core is a showcasepitting dexterity livestock which in turn will raise the prestige of aparticular livestock associations. The participants are ranchers,sheep ranchers are scattered in almost all western Java, especially thearrowroot, sumedang, Bandung, Majalengka and others. Pitting event held every yearby a system of competition, almost every month this activity is carried outtaking turns in these areas. In Bandung arena pitting oneof which lies in the valley siliwangi (in addition to sports fields SabugaITB).



The atmosphere attractions ..
Each event would provoke,always crowded with spectators. This activity also has afairly high prestige because a lot of leaders Sundanese which is also a fan aswell as their owners, such as Kang Ibing, Etc..
The prize up for grabs alsonot arbitrary, a car or motorcycle is something familiar.This is not surprising becausethe price of a sheep, a penalty can reach tens of millions of dollars.
Like a boxing match, the arenais also equipped by a jury of evaluators, referees and coaches who come todance jaipongan sheep every time his sheep in action.Usually every game is dividedinto two rounds, and each round consists of ten times the collision of thehead. Adu dexterity is also dividedinto different classes based on the weight of sheep fighter.

   

One of the martial arts movesthe winner ..
The event would provoke toooften punctuated by the attractions of martial arts, traditional music as well. This makes a very festive and exciting activities.Unfortunately that still isinternal peomosi among fans of sheep, making the value of tourism attractionsthat have not been able to attract foreign tourists and bring in foreignexchange for the region

title='sheeps'fighter'

article/attractions-sheeps-fighter-from-west-java/adu/domba/garut/tradition/culture/java/indonesian

ATTRACTIONS SHEEP’S FIGHTER FROM WEST JAVA.

ATTRACTIONS SHEEP’S  FIGHTER FROM WEST JAVA.

sheep’s fighter is one of thetypical folk art of west java are quite popular, especially in traditionalcircles. Art is an ancestor of the survivingrelics of its existence until today.



Sheep queue waiting game ..
At its core is a showcasepitting dexterity livestock which in turn will raise the prestige of aparticular livestock associations. The participants are ranchers,sheep ranchers are scattered in almost all western Java, especially thearrowroot, sumedang, Bandung, Majalengka and others. Pitting event held every yearby a system of competition, almost every month this activity is carried outtaking turns in these areas. In Bandung arena pitting oneof which lies in the valley siliwangi (in addition to sports fields SabugaITB).



The atmosphere attractions ..
Each event would provoke,always crowded with spectators. This activity also has afairly high prestige because a lot of leaders Sundanese which is also a fan aswell as their owners, such as Kang Ibing, Etc..
The prize up for grabs alsonot arbitrary, a car or motorcycle is something familiar.This is not surprising becausethe price of a sheep, a penalty can reach tens of millions of dollars.
Like a boxing match, the arenais also equipped by a jury of evaluators, referees and coaches who come todance jaipongan sheep every time his sheep in action.Usually every game is dividedinto two rounds, and each round consists of ten times the collision of thehead. Adu dexterity is also dividedinto different classes based on the weight of sheep fighter.

   

One of the martial arts movesthe winner ..
The event would provoke toooften punctuated by the attractions of martial arts, traditional music as well. This makes a very festive and exciting activities.Unfortunately that still isinternal peomosi among fans of sheep, making the value of tourism attractionsthat have not been able to attract foreign tourists and bring in foreignexchange for the region

Batik is trully indonesian product

Batik is hstorically derived from the days of our father,known since the seventeenth century,written and painted on palm leaves.. . At that time batik motif orpattern is still dominated by the shapes of animals and plants. But in the history of thedevelopment of batik have evolved, from painting motifs of animals and plantsslowly turned to abstract motif that resembles a cloud, temple reliefs, puppetsbeber and so on. Furthermore, through themerger of painting with the art of decorating style clothing, batik art emergeas we know it today.

Type and traditional batikpatterns belonging very much, but the pattern and its variations in accordancewith the philosophy and culture of each region are very diverse. Cultural treasures such a richnation Indonesia has prompted the birth of various styles and types of batiktradisioanal with the characteristics of its own specialty.


The development of Batik in Indonesia

The history of batik inIndonesia associated with the development of the Majapahit kingdom and thekingdom afterward. In some records, the developmentof batik is mostly done in times of Mataram kingdom, then in the kingdom ofSolo and Yogyakarta.

Batik art is art image on thecloth for clothing which became one of the family culture of the kings ofancient Indonesia. Initially batik is done only limitedin the palace alone and proceeds to dress the king and his family and hisfollowers. Because many of the followersof the king who lived outside the palace, the art of batik was brought by thepalace and carried them out in place of each.

The process of making batik

In the development of batikart gradually imitated by the people nearest and further extends the work ofwomen in the household to fill leisure time. Furthermore, batik clothesthat used only the royal family, then became a popular folk clothing, bothwomen and men.

White fabric that is used whenit is the result of homespun. Coloring materials are beingused consists of plants native to Indonesia made itself among others of: nonitree, tall, soga, indigo, and the material made from soda ash soda, and salt ismade of mud.

So this batik in Indonesia hasbeen known since the time of the Majapahit kingdom and continued to grow untilthe next kingdom. As for starting the spread ofthis batik art belongs to the people of Indonesia and Java in particular tribeis after the end of the eighteenth century or early nineteenth century. Produced batik batik is all upto the early twentieth century and printed batik is known only after the worldwar was over unity or about 1920. Now, batik has become part ofIndonesia's traditional clothing.

Batik Pekalongan

Although no official recordsbegan to be known when the batik in Pekalongan, but according to estimatesalready exist in Pekalongan batik around the year 1800. In fact, according to datarecorded at the Ministry, batik was made 1802, like a small tree motif in theform of clothing material.

However, a significantdevelopment expected to occur after a major war in the year 1825-1830 in thekingdom of Mataram are often referred to war or war Diponegoro Java. With the onset of this battleroyal family and urged his followers to leave many areas of the kingdom. They then spread toward the East and West. Later in the area - a new areathat the family and followers develop batik.

To the east of Solo andYogyakarta Batik batik patterns that have been perfected in Mojokerto andTulungagung to spread to Gresik, Surabaya and Madura. Batik is being developedwestward in Banyumas, Kebumen, Tegal, Cirebon and Pekalongan. Given this migration, thebatik Pekalongan preexisting growing.

Over time, Batik Pekalonganhave evolved considerably in comparison with other regions. In this area Batik developedaround the coastal areas, namely in the area of thecity and the region buaran pekalongan ,pekajangan and wonogiri

Pekalongan public encounterwith various nations such as China, Dutch, Arabic, Indian, Malay and Japanesein ancient times have colored the dynamics in full color motifs and batik art.

In connection with the severaltypes of batik motifs influence the results of these various countries thatbecame known as Pekalongan batik identity. Motive, namely batikJlamprang, inspired from India and Arabia. Then batik Encim andKlengenan, influenced by the Peranakan Chinese. Dutch batik, batik MorningAfternoon, and batik Hokokai, growing rapidly since the Japanese occupation.


Cultural development ofprinting techniques using dye lid motif night (candles) on the cloth which wasthen called batik, indeed inseparable from the influence of those countries. This shows the context offlexibility batik from time to time.

Pekalongan batik became highlydistinctive because it relies entirely on hundreds of small businesses, ratherthan on a handful of entrepreneurs have capital. Since decades ago until now,most of the production process Pekalongan batik done in homes. As a result, Pekalongan batikfused Pekalongan closely with community life which is now divided into twoadministrative regions, namely the Municipal and District PekalonganPekalongan.

Pekalongan batik tidaldevelopment, Pekalongan show worthy of being an icon for the development ofbatik in the archipelago. Icon for works of art thatnever gave up with the times and always dynamic. Now, batik has become a breathof everyday life Pekalongan residents and is one of the flagship product. This is because manyindustries that produce batik products. Because the product is famousfor its batik, Pekalongan known as BATIK CITY. The nickname comes from a longtradition rooted in Pekalongan. During that long period,various properties, the variety of uses, type design, and quality of batik isdetermined by the climate and the presence of fibers of local, historicalfactors, commerce and community readiness to accept and understand new ideas.

Batik is an art culture thatis admired the world, among the traditional variety produced by dye technologyhurdles, none of which can be present as beautiful and as smooth as batikPekalongan.

article/batik/product/tradition/culture/java/indonesian

Batik is trully indonesian product

Batik is hstorically derived from the days of our father,known since the seventeenth century,written and painted on palm leaves.. . At that time batik motif orpattern is still dominated by the shapes of animals and plants. But in the history of thedevelopment of batik have evolved, from painting motifs of animals and plantsslowly turned to abstract motif that resembles a cloud, temple reliefs, puppetsbeber and so on. Furthermore, through themerger of painting with the art of decorating style clothing, batik art emergeas we know it today.

Type and traditional batikpatterns belonging very much, but the pattern and its variations in accordancewith the philosophy and culture of each region are very diverse. Cultural treasures such a richnation Indonesia has prompted the birth of various styles and types of batiktradisioanal with the characteristics of its own specialty.


The development of Batik in Indonesia

The history of batik inIndonesia associated with the development of the Majapahit kingdom and thekingdom afterward. In some records, the developmentof batik is mostly done in times of Mataram kingdom, then in the kingdom ofSolo and Yogyakarta.

Batik art is art image on thecloth for clothing which became one of the family culture of the kings ofancient Indonesia. Initially batik is done only limitedin the palace alone and proceeds to dress the king and his family and hisfollowers. Because many of the followersof the king who lived outside the palace, the art of batik was brought by thepalace and carried them out in place of each.

The process of making batik

In the development of batikart gradually imitated by the people nearest and further extends the work ofwomen in the household to fill leisure time. Furthermore, batik clothesthat used only the royal family, then became a popular folk clothing, bothwomen and men.

White fabric that is used whenit is the result of homespun. Coloring materials are beingused consists of plants native to Indonesia made itself among others of: nonitree, tall, soga, indigo, and the material made from soda ash soda, and salt ismade of mud.

So this batik in Indonesia hasbeen known since the time of the Majapahit kingdom and continued to grow untilthe next kingdom. As for starting the spread ofthis batik art belongs to the people of Indonesia and Java in particular tribeis after the end of the eighteenth century or early nineteenth century. Produced batik batik is all upto the early twentieth century and printed batik is known only after the worldwar was over unity or about 1920. Now, batik has become part ofIndonesia's traditional clothing.

Batik Pekalongan

Although no official recordsbegan to be known when the batik in Pekalongan, but according to estimatesalready exist in Pekalongan batik around the year 1800. In fact, according to datarecorded at the Ministry, batik was made 1802, like a small tree motif in theform of clothing material.

However, a significantdevelopment expected to occur after a major war in the year 1825-1830 in thekingdom of Mataram are often referred to war or war Diponegoro Java. With the onset of this battleroyal family and urged his followers to leave many areas of the kingdom. They then spread toward the East and West. Later in the area - a new areathat the family and followers develop batik.

To the east of Solo andYogyakarta Batik batik patterns that have been perfected in Mojokerto andTulungagung to spread to Gresik, Surabaya and Madura. Batik is being developedwestward in Banyumas, Kebumen, Tegal, Cirebon and Pekalongan. Given this migration, thebatik Pekalongan preexisting growing.

Over time, Batik Pekalonganhave evolved considerably in comparison with other regions. In this area Batik developedaround the coastal areas, namely in the area of thecity and the region buaran pekalongan ,pekajangan and wonogiri

Pekalongan public encounterwith various nations such as China, Dutch, Arabic, Indian, Malay and Japanesein ancient times have colored the dynamics in full color motifs and batik art.

In connection with the severaltypes of batik motifs influence the results of these various countries thatbecame known as Pekalongan batik identity. Motive, namely batikJlamprang, inspired from India and Arabia. Then batik Encim andKlengenan, influenced by the Peranakan Chinese. Dutch batik, batik MorningAfternoon, and batik Hokokai, growing rapidly since the Japanese occupation.


Cultural development ofprinting techniques using dye lid motif night (candles) on the cloth which wasthen called batik, indeed inseparable from the influence of those countries. This shows the context offlexibility batik from time to time.

Pekalongan batik became highlydistinctive because it relies entirely on hundreds of small businesses, ratherthan on a handful of entrepreneurs have capital. Since decades ago until now,most of the production process Pekalongan batik done in homes. As a result, Pekalongan batikfused Pekalongan closely with community life which is now divided into twoadministrative regions, namely the Municipal and District PekalonganPekalongan.

Pekalongan batik tidaldevelopment, Pekalongan show worthy of being an icon for the development ofbatik in the archipelago. Icon for works of art thatnever gave up with the times and always dynamic. Now, batik has become a breathof everyday life Pekalongan residents and is one of the flagship product. This is because manyindustries that produce batik products. Because the product is famousfor its batik, Pekalongan known as BATIK CITY. The nickname comes from a longtradition rooted in Pekalongan. During that long period,various properties, the variety of uses, type design, and quality of batik isdetermined by the climate and the presence of fibers of local, historicalfactors, commerce and community readiness to accept and understand new ideas.

Batik is an art culture thatis admired the world, among the traditional variety produced by dye technologyhurdles, none of which can be present as beautiful and as smooth as batikPekalongan.